Inleiding hedendaagse fotografie:
David Campany, 'Art & Photography', Phaidon, 2012
Hoofdstukken:
Survey (Inleiding)
Memories and Archives
The Arts of Reproduction and appropriation
Just Looking
The Urban and the Everyday
Traces of Traces, Performance and concept art
The Studio Image
The Original Copy
The Cultures of Nature
Objective Objects
Textseminars:
Dirk Lauwaert, Lichtpapier, Teksten over fotografie, Bibliotheek van de Fotografie 3, FoMu Antwerpen-Fotomuseum Rotterdam, 2007
Vilem Flusser, “Towards a Philosophy of Photography”, 1983/ Een filosofie van de fotografie, Utrecht, Uitgeverij Ijzer, 2007
Susan Sontag “Regarding the Pain of Others”, Penguin Books, 2003
Martha Rosler, “In, Around, and Afterthoughts (On Documentary Photography)” in “The Contest of Meaning”, ed., Richard Bolton
Gerry Badger, ‚De Kunst die zichzelf verbergt’. Aantekeningen over het stille karakter van de fotografie, 2000, in: Bibliotheek van de fotografie 2, FoMu, pp 119-140 (The art that hides itself, Notes on Photography’s Quiet Genius, in: How you look at it. Photographs of the 20th Century, Thames and Hudson, 2000)
Roland Barthes, La Chambre Claire, Camera Lucida
(NLse versie: http://issuu.com/fabz/docs/de_lichtende_kamer/1?e=1192764/5188140
Allen Sekula, Dismantling Modernism - Reinventing Documentary, in: Photography against the grain: essays and photo works 1973-1983
Jeff Wall, Marks of Indifference. Aspects of photography in,or,as, conceptual art.
Lewis Baltz, Amercian Photographs in the 1970s: too old to rock, to young to die,in: American Images: Photography 1945-1980, ed. Peter Turner/ Penguin Books 1985 (reprinted in Lewis Baltz Texts, Steidl, 2012)