Artesis Plantijn Hogeschool Antwerpen
Koninklijk Conservatorium Antwerpen
campus Desguinlei
Desguinlei 25 - 2018 Antwerpen
T +32 3 244 18 00 - F +32 3 238 90 17
conservatorium@ap.be
Master's project (music creation and performance art)12096/1722/1920/1/50
Study guide

Master's project (music creation and performance art)

12096/1722/1920/1/50
Academic year 2019-20
Is found in:
  • Master of Arts & Education in Music and performing arts, programme stage 5
    Choice option within specialisation:
    • Kleinkunst within Drama
  • Master of Drama, programme stage 4
    Specialisation:
    • Music creation and performance art
This is a single course unit.
Study load: 21 credits
Co-ordinator: Beijsens Patricia
Teaching staff are not (all) known yet.
Languages: Dutch
Scheduled for: Academic year
This course unit is marked out of 20 (rounded to an integer).
Possible deadlines for learning account: 31.10.2019 ()
Re-sit exam: not possible.
Compensated fail: You have to pass this course unit (will never be compensated).
Total study time: 630,00 hours

Prerequisites

There are no prerequisites for this course.

Learning outcomes (list)

1. Artistic concept - 1.1. processing material
actively makes use of his or her sources of inspiration.
1. Artistic concept - 1.2. shaping presentation
can independently create and perform an artistic solo or group project, both textually and musically.
1. Artistic concept - 1.3. audience
communicates with the audience.
2. Technical aspects - 2.1. mastering parameters and structures
can independently create and perform an artistic solo or group project, both textually and musically.
2. Technical aspects - 2.2. self-tuition
can independently create and perform an artistic solo or group project, both textually and musically.
2. Technical aspects - 2.3. physical and spatial consciousness
has artistic autonomy.
2. Technical aspects - 2.4. technical means
shares his or her thoughts on the presentation of the artistic project (d├ęcor, costumes).
3. Cooperation - 3.1. social and communication skills
can lead an artistic project.
can organise performances.
makes contacts across disciplines.
3. Cooperation - 3.2. participation in an (interdisciplinary) artistic concept
inspires his or her other artistic colleagues in terms of the project.
negotiates with possible artistic collaborators.
reflects on the meaning of artistic contribution in the professional field.
3. Cooperation - 3.3. intercultural and international context.
places him- or herself within the cultural landscape.
4. Positioning - 4.1. philosophical and (cultural) historical context
has a personal vision of the cultural landscape and manifests this in his or her performance.
4. Positioning - 4.2. research
uses and implements work methods in order to create.
4. Positioning - 4.3. reflection
reflects on the consciousness of the working method.
4. Positioning - 4.4. financial, commercial and legal aspects
communicates with organisers.

Educational organisation (list)

Learning Activities
Artistic praxis80,00 hours
Work time outside of contact hours550,00 hours

Evaluation (list)

Evaluation(s) for first exam chance
MomentForm%Remark
Academic yearGraduation assignment100,00