Artesis Plantijn Hogeschool Antwerpen
Koninklijk Conservatorium Antwerpen
campus Desguinlei
Desguinlei 25 - 2018 Antwerpen
T +32 3 244 18 00 - F +32 3 238 90 17
conservatorium@ap.be
Performing arts practice 335233/2115/2122/1/83
Study guide

Performing arts practice 3

35233/2115/2122/1/83
Academic year 2021-22
Is found in:
  • Bachelor of Arts in Drama, programme stage 3
    Specialisation:
    • Music Creation and Performance Art
This is a single course unit.
Study load: 27 credits
It is not possible to enrol in this course unit under
  • credit contract.
  • exam contract (to obtain a credit).
  • exam contract (to obtain a degree).
Co-ordinator: Helsen Andries
Teaching staff are not (all) known yet.
Languages: Dutch
Scheduled for: Academic year
This course unit is marked out of 20 (rounded to an integer).
Possible deadlines for learning account: 31.10.2021 ()
Re-sit exam: not possible.
Possibility of deliberation: You have to pass this course unit (will never be deliberated).
Total study time: 810,00 hours

Prerequisites

having passed Performing arts practice 2 AND having passed Physical Awareness 2 AND having passed Dance 2.

Learning outcomes (list)

1. Artistic concept - 1.1. processing material
can choose text material from personal fascination
knows how to nurture one's own theatrical personality
1. Artistic concept - 1.2. shaping presentation
creates suspense over the course of a scene.
can enlarge, omit and style his or her body language.
knows how to distinguish between main and subsidiary issues.
Purges out or adds text material to enhance theatrically
1. Artistic concept - 1.3. audience
has an appearance to the audience as a front person
2. Technical aspects - 2.1. mastering parameters and structures
analyses the different challenges associated with the acting of a monologue as opposed to a dialogue.
creates suspense over the course of a scene.
can create the illusion that the text occurs at that moment.
can perform a monologue from the correct situation of conflict.
can travel with dramatic material from realism to alienation.
can travel with dramatic material from imitation to stylisation.
can travel with dramatic material from truth to illusion.
acts from a sense of theatrical awareness and integrates the tools of an actor.
2. Technical aspects - 2.3. physical and spatial consciousness
uses the space as a means of bodily expression.
can consciously deal with guidance.
can use a specific idiom of movement in a monologue.
2. Technical aspects - 2.4. technical means
is aware of signs in the space.
3. Cooperation - 3.1. social and communication skills
can work in a group to create and perform.
masters and integrates the shared learning outcomes of 1 and 2.
can work in a group to create and perform.
is capable of reacting to the indications of others.
can enter into dialogue with fellow-actors.
3. Cooperation - 3.2.participation in an (interdisciplinary) artistic concept
is capable of reacting to the indications of others.
can enter into dialogue with fellow-actors.
can communicate musical ideas to musical accompanists
4. Positioning - 4.2. research
Purges out or adds text material to enhance theatrically
4. Positioning - 4.4. problem solving and planning
masters and integrates the shared learning outcomes of 1 and 2.

Educational organisation (list)

Learning Activities
Artistic praxis300,00 hours
Work time outside of contact hours510,00 hours

Evaluation (list)

Evaluation(s) for first exam chance
MomentForm%Remark
Academic yearArtistic praxis100,00