Artesis Plantijn Hogeschool Antwerpen
Koninklijk Conservatorium van Antwerpen
Bachelor exam part 1 Group choreography34210/3371/2425/1/85
Study guide

Bachelor exam part 1 Group choreography

34210/3371/2425/1/85
Academic year 2024-25
Is found in:
  • Bachelor of Dance, programme stage 3
This is a single course unit.
Study load: 6 credits
It is not possible to enrol in this course unit under
  • exam contract (to obtain a credit).
  • exam contract (to obtain a degree).
Co-ordinator: Gordon Natalie
Other teaching staff: Chiodi Latini francesca, Marinus Tuur
Teaching staff are not (all) known yet.
Languages: Dutch
Scheduled for: Academic year
This course unit is marked out of 20 (rounded to an integer).
Possible deadlines for learning account: 31.10.2024 ()
Re-sit exam: not possible.
Possibility of deliberation: You have to pass this course unit (will never be deliberated).
Total study time: 180,00 hours

Short description

In group choreography students are asked to choreograph a group dance to be performed by BA1 and BA2 dance students that is approximately 10 minutes long. The process incorporates the development of a theme from a research question, and works through a series of artistic and logistical decisions.

Prerequisites

There are no prerequisites for this course.

Prerequisite competencies (text)

Obtained credits for Choreography 1 and Choreography 2.

Learning outcomes (list)

Develops and expresses a personal voice within the conceptualisation and creation of own artistic work
Develops a group artistic creation, departing from a research question and developing this into a performance
Utilises relevant methodologies to produce material that communicates choreographic intent
Develops own artistic concept, movement practices and compositional tasks to create own work
Can identify own artistic voice and articulate its characteristics
Identifies and challenges personal movement and choreographic interests and aesthetic
Integrates and transfers experiences from a diversity of artistic visions into developing own artistic practice
Invests in artistic research utilising a range of methodologies to result in creative processes that challenges personal practice
Critically reflects upon own artistic practice to situate and engage within diverse social and artistic contexts
Can observe, reflect on, and communicate about own creation from an artistic and production perspective
Critically reflects on and evaluates own creation throughout process and product
Has self-discipline, organizational self-reliance and entrepreneurial skills to sustain and develop own artistic practice
Works collectively to coordinate the logistics of a complex process to attain a shared result that encompasses personal and group vision
Demonstrates the capacity to manage a personal and group process effectively with a view of the artistic goal
Uses relevant social and group dynamics skills to contribute to, share and take responsibility in diverse group settings
Values individuality and respects individual contribution to a creative process
Effectively collaborates with group towards shared goals
Uses relevant skills to communicate and dialogue with diverse target groups
Divulges in constructive dialogue with colleagues concerning a personal creation
Communicates and articulates personal intention, vocabulary and decision making with peers
Communicates respectfully with all colleagues involved – dancers, colleagues, technicians, teachers, audience, jury

Course content

The final artistic project for the Bachelor Exam presents an opportunity to integrate knowledge, skills, experience, interests and questions into an ongoing research throughout the final year. It consists of three elements: research paper, group choreography and solo choreography.

In group choreography students are asked to choreograph a group dance to be performed by BA1 and BA2 dance students that is approximately 10 minutes long. The process incorporates the development of a theme from a research question, and works through a series of artistic and logistical decisions. Students are prompted to give attention to all parts of their process: from, amongst others, movement generation, development, variation, manipulation of material, consolidation, applying choreographic and structural devices, sharing, feedbacking and reflecting. Students are also prompted to experiment with varying forms of performativity. Next to the focus on the creation, the students are also expected to create a constructive working environment, where both themselves and their dancers feel safe to challenge their dancing and choreographic skills to a maximum. 

Study material (text): Mandatory

Trotter DANCE: study guide for the bachelor dance programme

Study material in the online learning platform Digitap

Study material (text): Recommended

It is highly recommended for students to attend performances, concerts and exhibitions, as well as to carry out research via the Internet, library, etc to expand their awareness of the working field, current trends and research

Educational organisation (list)

Learning Activities
Artistic praxis20,00 hours
Collaborative learning10,00 hours
Work time outside of contact hours150,00 hours

Evaluation (list)

Evaluation(s) for first exam chance
MomentForm%Remark
Eerste examenperiodeArtistic skills assessment permanently during class weeks (Permanent evaluation)50,00
Eerste examenperiodeProject assignment50,00

Evaluation (text)

Evaluation
Refer to the evaluation list for the specific evaluation components of the course unit.

Re-sit exam
Not all courses have a re-sit exam possibility. Refer to the notification above in this ECTS information sheet for the possibility of a re-sit exam for this course unit.

A re-sit exam -
• is not possible for assessment methods that use permanent evaluation (see evaluation list above). When a re-sit exam is possible for the course, the grade for the permanent evaluation of the first examination period is transferred to the second examination period.
• is possible for the evaluation components that do not include permanent evaluation.

Attendance requirement:
A minimum of 80% attendance is required. For less than 80% attendance, the student will receive 0/20 for (all) permanent evaluation assessment method(s).

Conditions for legitimate absence:
• An absence is substantiated by a medical certificate uploaded in iBamaFlex!
• An absence approved by the head of programme or artistic coordinator.