Artesis Plantijn Hogeschool Antwerpen
Koninklijke Academie van Antwerpen
Material & Technique GD341621/3443/2526/1/74
Study guide

Material & Technique GD3

41621/3443/2526/1/74
Academic year 2025-26
Is found in:
  • Bachelor of Arts in Visual Arts, programme stage 3
    Specialisation:
    • Graphic Design
  • Bachelor of Arts in Visual Arts
    Specialisation:
    • Graphic Design
  • Bridging Programme Visual Arts
    Programme option:
    • Graphic Design
  • Preparatory Programme Visual Arts
    Programme option:
    • Graphic Design
This is a single course unit.
Study load: 3 credits
Co-ordinator: Devrome Johan
Languages: Dutch
Scheduled for: Academic year
This course unit is marked out of 20 (rounded to an integer).
Possible deadlines for learning account: 01.12.2025 (Academic year)
Re-sit exam: not possible.
Possibility of deliberation: You have to pass this course unit (will never be deliberated).

Prerequisites

There are no prerequisites for this course.

Learning outcomes (list)

BA1 - The student has the necessary artistic skills to design and/or realize a personal project within the broad spectrum of the visual arts under supervision.
The student has the professional skills that are specific to the discipline.
The student is able to start the development of a personal visual language on the basis of observation exercises.
The student can merge image and text within the manual printing process.
The student can creatively apply the graphic techniques that were introduced during the courses within his personal project.
The student can use the relationship between image formation and the characteristics of certain graphic techniques when producing his own artistic images.
The student is able to analyze and apply the various display techniques, layout and composition, perspective and proportions within assignment and free work.
The student can make and manipulate a composition of images and is flexible within this given.
The student can design a series of works that belong together.
The student can independently produce graph.
The student can convert his perception into a personal vision and visual language.
The student can adequately use the necessary materials and processes to achieve unity within his design.
The student knows the various visual elements.
The student can work out an assignment through research, planning, documentation, execution and presentation
The student demonstrates passion and can independently carry out the given assignments and demonstrates.
The student translates analysis and interpretation into innovative ideas and concepts. (creation)
The student designs (series of) informative pictures. (creation)
The student designs (series of) literary images. (creation)
The student designs (series of) conceptual images. (creation)
The student designs (series of) editorial or interactive images. (creation)
The student communicates with audiences via visual language. (creation)
The student works on artistic projects within image design. (creation)
The student translates assignment analysis into the picture. (realisation)
The student designs image. (realisation)
The student translates the personal vision into image design. (research)
The student translates ideas and concepts into authentic visual language. (creation)
The student can apply all these aspects within assignments and free work.
The student works on artistic projects within editorial design. (creation)
The student translates assignment analysis into image and text. (realisation)
The student designs image and text. (realisation)
The student can formulate an idea.
The student can recognize and translate a concept.
The student can conceive a concept.
The student edits image and text. (realisation)
The student can process a given assignment personally and plastically.
The student can translate a personal question in a plastic way.
The student is able to synthesize the acquired knowledge, insights and skills.
The student can work out assignments (under supervision of the teacher).
The student is able to give a contemporary visual interpretation to an assignment within a predetermined time frame.
The student has strengthened his artistic capacities.
The student is able to work in a process-based way.
BA2 - The student has the necessary knowledge, skills and insights regarding material, form, action, concepts, function and contents of the chosen medi
The student can merge image and text within the manual printing process.
The student edits image and text. (realisation)
The student can translate a personal question in a plastic way.
BA3 - The student knows about and understands the social, cultural, artistic, historical and international context of the visual arts and artistic praxis, and continues to develop this knowledge and understanding.
The student can translate a personal question in a plastic way.
BA4 - The student develops and sharpens his/her critical and investigative attitude towards designs and/or realizations that arise from visual experiments and research, emotion and intuition.
The student can translate a personal question in a plastic way.
BA5 - When developing his/her personal visual language the students starts from a searching and reflective attitude when developing one's own visual language.
The student can translate a personal question in a plastic way.
BA6 - The student understands the characteristics of his/her personal designs and/or realizations and is able to communicate about this in an appropriate manner.
The student can translate a personal question in a plastic way.
The student is able to conduct, archive and present visual and conceptual research at an advanced level.
You communicate effectively and transparently with various stakeholders.
BA7 - The student is able to organize his/her artistic project in consultation with others.
The student can give himself an assignment about composition, form, color and space.
The student is able to meet (interim) deadlines
The student organises creation and realization of his own image design. (organisation)
The student organises his own image research. (organisation)
The student can read and interpret a briefing.
The student can translate a personal question in a plastic way.
The student has an independent and process-based work attitude and is self-critical with regard to his own work and working method.
The student can self-reflect on, and adjust if necessary his / her own functioning.
The student can draw up a plan, starting from the introduction to the design to its final realization.
The student can work individually, in pairs or in groups.
The student can realize a proposed design in practice.
The student can enter into a dialogue with the teacher and process comments from that teacher in a focused manner and integrate them into the work process.
The student has an independent and self-critical attitude.
The student shows continuous commitment.
The student follows a logical, regular and progressive work process.
The student is able to work in a process-based way.
The student can integrate comments of his/her teachers in his/her workin process.
The student adheres to the set deadlines.
The student can work process-based and respect deadlines in the work process
The student can process the teachers' comments in a mature manner.
The student is able to organise the creation and realization of his/her personal artistic project. (organization)
The student is able to organise his/her own research. (organization)
The student is able to take care of the production technical layout of his personal design. (organization)
The student meets pre-set (interim) deadlines. (organization)
The student monitors the artistic coherence of the entire design. (organization)
The student has self-organizational competences, can realize his/her practice autonomously, and motivates himself/herself to work regularly.
The student has a positive working attitude towards his work and his environment / fellow students and studio.
The student manages the process from design to translation and can print in edition.
The student can independently and creatively process the assignments.
"The student can independently carry out his project and has organizational skills. "
The student respects the deadlines and is able to finalise and present his work on time.
The student can elaborate, plan and execute the concept.
You take responsibility for your role in a common project.
You collaborate with consideration for a diversity of opinions and personalities.
You work planned and focused on a result.
You organize and coordinate consultations using meeting techniques.
You reflect independently and critically about your own performance.
You demonstrate consistency, neutrality, and integrity in your behaviour.
You develop an open attitude towards collaboration and you dare to question your position as a maker.

Course content

In Material & Technique, gesture takes centre stage: meaning arises through physical action and the direct interaction between observation, form and material. Students explore how tactility, movement, and making processes generate a personal visual language. Through experimentation with diverse techniques, they investigate how the act of making itself becomes meaningful within graphic design.

MTGD3 – Advanced Level

Material & Technique 3 encourages students to develop an autonomous path, starting from a personal fascination or research question. Students combine techniques in innovative ways and explore alternative processes, hybrid installations or performative applications. The emphasis is on research, documentation, and positioning the work within the broader field of graphic design.

Study material (text): Mandatory

Various graphic design tools and production methods (both digital and analog) are used within this course. A laptop with a good screen, strong processors, and sufficient memory and storage to run standard graphic software is required. The educational environment mainly uses Apple computers and can provide additional computing power for demanding design processes. You don’t need to buy your own laptop before the start of the year; purchase guidelines will be provided at the beginning of the academic year.

Evaluation (list)

Evaluation(s) for first exam chance
MomentForm%Remark
1st examination periodArtistic practical assessment100,00

Evaluation (text)

Permanent evaluation through presentation and review moments during the academic year.
Semester 1: formative evaluation
Semester 2: final jury
Process and product are evaluated together. The jury discussion at the end of semester 2 determines the final grade.